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Filmplakat von Der Vampir auf der Couch mit drei Hauptfiguren vor einem Vollmondhintergrund, linken Charakter mit schwarzem Bob und dunklem Outfit, mittleren Mann mit Anzug und dozierendem Blick, und rechte Frau in oranger Robe, zusätzlich eine ältere Figur mit Brille unten, umgeben von Fledermäusen und dunklem Nachthimmel.

Therapy for a Vampire

Vienna, the early 1930s: One night Sigmund Freud has a new patient on his couch – a mysterious count who can no longer bear the “eternally long” relationship with his wife. The vain countess incessantly complains about not being able to look at herself in a mirror, the professor hears from the count. Unaware of the fact that the count and his wife are vampires, Freud introduces his mysterious patient to a young painter, Viktor, who paints portraits which express more than a mirror ever could. While visiting the painter, the count takes an instant shine to Viktor’s girlfriend Lucy – more so than Viktor and the countess would like.

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